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That Music List continues. Edition #250 includes music from Adriano Celentano, Grand National, The Four Seasons, Dagmar Zuniga, Tic Tac Toe, Seazoo, Amsterdam, Twisted Teens, Malajube, Golden Starlet, Oracle Sisters, Ebo Taylor, The Golden Dawn and more.
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Jeremy Grayson. Son of immigrant. Adoptive father of two. Metadata librarian. Freelance point-to-point / horse racing writer, analyst and commentator wonk. Loves music, buses, cats, the BBC Micro, ale. Advocate of CBT, PACE and therapeutic parenting. Aspergers.
In this instance though I do feel a substantive ban is also justifiable and will ensure that young Mr McCain-Mitchell will never make that mistake again.
Although hailing from a family obviously inextricably associated with the Grand National, Toby McCain-Mitchell has had to live curiously in its shadow up until this last weekend.
I was racereading at Hornby Castle on the day he rode his first ever point-to-point winner. There was a certain irony in that achievement being overshadowed utterly 75 minutes later by the National victory of Minella Times, steered home by someone whom his grandfather would have objected to their riding in it at all.
Sam Twiston-Davies’s availability notwithstanding, there must have been the semblance of an argument for putting Toby back up on Beauport in last year’s race, the partnership having pulled out a career-best for the gelding in landing the London National five months prior.
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Jeremy Grayson. Son of immigrant. Adoptive father of two. Metadata librarian. Freelance point-to-point / horse racing writer, analyst and commentator wonk. Loves music, buses, cats, the BBC Micro, ale. Advocate of CBT, PACE and therapeutic parenting. Aspergers.
The stable has a bit of history in the Stayers Hurdle. Lisnagar Oscar won the race at 50-1 off a rating of just 146 (Haiti is currently rated 154 over hurdles 10lbs lower than his rating over fences).
As we’ve seen in the last month Home By The Lee (and recently with Sire Du Berlais) older horses can be really competitive in the stayers division.
I think they really should explore that avenue next season.
Unless the pick of this year’s 3m novice hurdle cohort all improve significantly, that stayers’ division looks absolutely there for the taking next term. I’ve seen in cheerily described as “dire” in the press more than a couple of times in recent weeks,
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Jeremy Grayson. Son of immigrant. Adoptive father of two. Metadata librarian. Freelance point-to-point / horse racing writer, analyst and commentator wonk. Loves music, buses, cats, the BBC Micro, ale. Advocate of CBT, PACE and therapeutic parenting. Aspergers.
You are quite correct in surmising that the Sarah Records roster was generally favourable to my ears, though not all of them. I was never a great fan of Amelia’s vocals, though I liked the more recent stuff she did as The Catenary Wires. As a Belfast resident sadly many bands still give us a swerve and I tend to reserve visits to Dublin and across the Irish Sea to those must-see acts.
The Sugargliders are one of the Sarah bands that I have explored as they morphed into The Steinbecks (well worth getting to know). They in turn led to the introduction to a number of Aussie Indie bands through exposure to the Popboomerang and Lost & Lonesome labels, including, most notably the wonderful Lucksmiths.
Yep, I don’t think too many Sarah acts toured Ireland back in the day, presumably with the exception of Dublin signing The Harvest Ministers. Also hailing from Dublin, Brian is the Sarah act that never was, depending on whether you believe the legend that frontman Ken Sweeney turned down a phone offer to record for Sarah on the assumption it was a prank call.
I have a few Steinbecks tracks but still prefer the plenty-from-little ingenuity of the Meadows brothers’ Sugargliders incarnation, to the tune of owning all six of their Sarah 7″s, the Marineville-released single which preceded those, and the International Pop 7″ EP to which they also contributed a track.
Plenty of Lucksmiths in this household, too, and my brother and I were in the audience for their last ever English gig (and penultimate UK one) back in July 2009. London Scala the venue, support from Allo, Darlin’ and Daniel Kitson, the last-named their most dedicated and obsessed fan. IIRC Daniel split the sets from the two musical acts with a stand-up set with more poop gags than you might expect from such a cerebral performer.
Tali White of the Lucksmiths is a cousin of Sugargliders/Steinbecks siblings Josh and Joel Meadows, I understand. Small world!
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Jeremy Grayson. Son of immigrant. Adoptive father of two. Metadata librarian. Freelance point-to-point / horse racing writer, analyst and commentator wonk. Loves music, buses, cats, the BBC Micro, ale. Advocate of CBT, PACE and therapeutic parenting. Aspergers.
Your website is ab fab, a true labour of love
You’re very kind, Drone, many thanks! Since reactivating the blog I’ve noticed that it’s requiring a lot more work and effort to secure a lot fewer visits these days; but other, far more gifted, music bloggers that I’m in touch with say the same thing also. They and I share the same pathological urge to write, write, write no matter the audience size, however, so I’m a long way off being sufficiently discouraged to retreat into another hiatus.
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Jeremy Grayson. Son of immigrant. Adoptive father of two. Metadata librarian. Freelance point-to-point / horse racing writer, analyst and commentator wonk. Loves music, buses, cats, the BBC Micro, ale. Advocate of CBT, PACE and therapeutic parenting. Aspergers.
Hi GC, very long time no speak. Great to see Win make the list. They were so unlucky. Still listen to their album from time to time, on top of the many remixes of You’ve Got The Power.
A pleasure to read you, too, VtC! Trust all is well with you and yours. Life experience tells us not to take absolutely everything we see as gospel; and the charts of the 1980s and 1990s, replete as they were with real or imagined sharp practices, sales rigging and (in poor Win’s case) mistaken cases of regional hyping, are good examples of that.
I can quite believe that the north west of the first near quarter century of my existence would have been viewed with similar suspicion by Gallup chart compilers from time to time. Piccadilly Radio would have carried considerable clout in the 1980s and helped propel certain songs it got right behind to strong regional sales. I can only assume the rest of the nation failed to get similarly behind tracks by the likes of Floy Joy, Fra Lippo Lippi, The Bernhardts, etc., exposing that incongruity.
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Jeremy Grayson. Son of immigrant. Adoptive father of two. Metadata librarian. Freelance point-to-point / horse racing writer, analyst and commentator wonk. Loves music, buses, cats, the BBC Micro, ale. Advocate of CBT, PACE and therapeutic parenting. Aspergers.
That Music List continues. Edition #249 includes music from Lung Leg, Laetitia Sadier, Marie Davidson, Carla J Easton, Wesley Gonzalez, Monograph, Florence Adooni, Folk Implosion, The Siddeleys, Spratleys, The Last Poets, Marina Zispin, Colleen and more.
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Jeremy Grayson. Son of immigrant. Adoptive father of two. Metadata librarian. Freelance point-to-point / horse racing writer, analyst and commentator wonk. Loves music, buses, cats, the BBC Micro, ale. Advocate of CBT, PACE and therapeutic parenting. Aspergers.
That Music List continues, even whilst I’m away on holiday with limited WiFi. Edition #248 includes music from The Just Joans, Cornershop, House Of All, Souad Massi, Holy ****, Gossip, The Real Tuesday Weld, Keith Seatman, Horsegirl, A Witness, Cocteau Twins, Robber Robber, Neko Case, Tompot Blenny and more.
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Jeremy Grayson. Son of immigrant. Adoptive father of two. Metadata librarian. Freelance point-to-point / horse racing writer, analyst and commentator wonk. Loves music, buses, cats, the BBC Micro, ale. Advocate of CBT, PACE and therapeutic parenting. Aspergers.
That Music List continues. Edition #247 includes music from Prolapse, Ladytron, Wire, Yumi Yumi, Heavy Axe, Cootie Catcher, My Lo-Fi Heart, Gina Birch, The Montgolfier Brothers, Win, Delicate Vomit, Sock Puppets, ABC, Christy Moore, Mighty Mighty and more.
(Salty, Drone – my apologies, currently on holiday but a reply to you both will follow soon)
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Jeremy Grayson. Son of immigrant. Adoptive father of two. Metadata librarian. Freelance point-to-point / horse racing writer, analyst and commentator wonk. Loves music, buses, cats, the BBC Micro, ale. Advocate of CBT, PACE and therapeutic parenting. Aspergers.
Unfortunate to find himself pitched into a more competitive race of its type than some held this term. Makes you wonder by how far he’d have won that ill-starred Fakenham HC, had he been eligible (he wasn’t).
Nicky Henderson suggested in the run-up that the Bamfords needed some persuasion to keep Mister Coffey in training this season in pursuit of that elusive first chase win. I can’t imagine he has many opportunities left.
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Jeremy Grayson. Son of immigrant. Adoptive father of two. Metadata librarian. Freelance point-to-point / horse racing writer, analyst and commentator wonk. Loves music, buses, cats, the BBC Micro, ale. Advocate of CBT, PACE and therapeutic parenting. Aspergers.
That Music List continues. Edition #246 includes music from Heavenly, Bis, Robert Wyatt, Cha Cha 2000, Voka Gentle, Suep, Aretha Franklin, Tulpa, Tom Vek, Tomora, Red Monkey, Air, Best Friends Forever, Cathode, Khaled, BMX Bandits, Solar 76 and more:
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Jeremy Grayson. Son of immigrant. Adoptive father of two. Metadata librarian. Freelance point-to-point / horse racing writer, analyst and commentator wonk. Loves music, buses, cats, the BBC Micro, ale. Advocate of CBT, PACE and therapeutic parenting. Aspergers.
That Music List continues. Edition #245 includes music from Cardiacs, Hemlocke Springs, Nena, Luke Slater, David Lyme, Toxic Two, Therapy?, The Sugargliders, The Radio Field, Kiss AMC, DJ Kaos, The Bernhardts, Flying Saucer Attack, Howling Bells and more.
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Jeremy Grayson. Son of immigrant. Adoptive father of two. Metadata librarian. Freelance point-to-point / horse racing writer, analyst and commentator wonk. Loves music, buses, cats, the BBC Micro, ale. Advocate of CBT, PACE and therapeutic parenting. Aspergers.
Thursday night just gone saw the Manchester leg of Cardiacs’ emotional and triumphant return, with erstwhile Oceansizer Mike Vennart permanently installed in the live set-up now as well as on record.
The Albert Hall’s variable sound quality – partly the consequence, I’m given to understand, of its many windows, beautiful as they are – couldn’t prevent the magic of this strange, beautiful, sometimes manic music shining through, and it’s worth stressing that compiling and executing this near two-hour set so perfectly was no small undertaking, even for those who’d performed some of its contents for decades previously.
These are still earlyish days for longstanding drummer Bob Leith performing without any of the backing tracks which the late Tim Smith had introduced upon the band’s early-1990s conversion to a power quartet, and had kept in place as the live ensemble expanded and right up until the tragic events of 2008. Live keyboards hadn’t featured in Cardiacs’ live offer for at least 35 years, either, until Rhodri Marsden was brought on board; something else for Bob, Kavus Torabi and Jim Smith to all get used to.
Inevitably, though, it was Vennart who has carried the greatest responsibility to make things work on stage as the band’s de facto frontperson now, to all intents and purposes the Tim of the piece however much he has striven to play down that perception.
Has he succeeded? Kavus’s succinct summary on Facebook yesterday morning that, “Mike has excelled, taking on the almost impossible task of inhabiting these songs with authenticity and passion, not to mention extraordinary ability and talent”, tells you enough.
This was not the Mike Vennart show, neither was it Mike doing Tim Smith cabaret – no replication of any of Tim’s eccentric outbursts, nor any of the theatrical onstage humiliating of Jim (indeed, Jim got a cuddle or two from Mike and Kavus). Instead, generous tributes to his fellow players and audience during the set, culminating in the outro of The Whole World Window, which rounded off the main set. Flowers thrown from the stage (a nod to the Consultant, one assumes – IYKYK), and a respectful hug of a picture of Tim Smith himself.
The octet on stage looked absolutely spent by the time Is This The Life? drew the second and final encore to a close, Mike and Jim especially. The latter had, some will remember, been unable to complete the final Sing to Tim gig in late 2024 due to illness, but it was emotional investment rather than physical frailty at play here.
By the end of this week Cardiacs will have played four equally long gigs within five nights, and the time required to rest, recover and reflect will be well earned.
Jim has often mentioned that it felt as if Cardiacs were on the cusp of something approaching a crossover, relatively speaking, back in 2007 judged on the size and increasingly varying age profile of their audiences; and the evidence of the rapturous responses to these sell-out dates is that those people have not only waited and returned, but been appreciably added to in number.
The question for Jim Smith to consider, at leisure, will be what happens next.
There are supposedly further remnants of music and lyrics from Tim’s archives which could yet be spun into gold in the same way as the LSD album and ultimately performed live.
Equally, and even factoring in the performances of all three tracks on the Ditzy Scene single this week and/or in 2007-8, exactly half of LSD will have remained unplayed to a live audience by the end of this current tour. That includes such audacious tracks as Busty Beez and Skating – taking these on the road some day must have its appeal.
And, of course, there is a back catalogue of such depth that a staggering number of setlist permutations could still be drawn up for years to come, with or without contributions from LSD, and the faithful would likely still be more than satisfied with that.
All in good time.
More immediately, I know that Thursday night’s concert definitely finds a place among my all-time favourites.
I just need to decide where.
Here’s a phone recording of the concert in full. Not mine, but I’m delighted someone took the trouble. You might want to skip past the first three minutes of grinding noises, another one of the band’s little idiosyncracies from decades prior.
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Jeremy Grayson. Son of immigrant. Adoptive father of two. Metadata librarian. Freelance point-to-point / horse racing writer, analyst and commentator wonk. Loves music, buses, cats, the BBC Micro, ale. Advocate of CBT, PACE and therapeutic parenting. Aspergers.
Hello Drone,
The Family in question here would be a Basque duo, active from 1989 to 1994 and seen as an influential act within the wider context of Spanish indiepop. Certainly it was them who first absorbed the musical influence of New Order into that particular idiom, as particularly evident in the track I shared the weekend before last.
No reason at all for the earlier Family not to appear in a future List if I can find a track I’m sufficiently enamoured with. There have been dips into that era of prog on occasion, and doubtless there will be more. I know I’ve got some Aphrodite’s Child cued up for inclusion at some point.
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Jeremy Grayson. Son of immigrant. Adoptive father of two. Metadata librarian. Freelance point-to-point / horse racing writer, analyst and commentator wonk. Loves music, buses, cats, the BBC Micro, ale. Advocate of CBT, PACE and therapeutic parenting. Aspergers.
Salty,
It’s an absolute pleasure! Feedback such as yours makes the whole exercise of doing the blog so very worthwhile.
So much of my musical pleasure over the decades has been owed to the gift of serendipitous discovery, both of the music itself and of resources and services highlighting that music. It’s lovely to be able to give that gift as well as receive it.
Most of the names you’ve referenced would suggest a fellow Sarah Records fan. As such, are you likely to catch the also recently reactivated Heavenly on their current UK tour, or have you already? Assuming no hold-ups in picking up my wife from Manchester airport that afternoon, I’ll be at their Sheffield gig this Saturday.
The latest List, as released on Saturday morning just gone, features one more Sarah act of yore in the shape of The Sugargliders. It’s not a given that every List contains some Sarah or Sarah-adjacent act – it just keeps working out that way
Once again, many many thanks for your interest!
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Jeremy Grayson. Son of immigrant. Adoptive father of two. Metadata librarian. Freelance point-to-point / horse racing writer, analyst and commentator wonk. Loves music, buses, cats, the BBC Micro, ale. Advocate of CBT, PACE and therapeutic parenting. Aspergers.
That Music List continues. Edition #244 includes music from Blueboy, Shampoo, Deary, Family, Cornelius, Alt Blk Era, T99, Even As We Speak, William D Drake, Loop, Stuart Moxham, Belbury Poly, The Company She Keeps, Juana Molina, Antony Szmierek and more.
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Jeremy Grayson. Son of immigrant. Adoptive father of two. Metadata librarian. Freelance point-to-point / horse racing writer, analyst and commentator wonk. Loves music, buses, cats, the BBC Micro, ale. Advocate of CBT, PACE and therapeutic parenting. Aspergers.
That Music List continues. Edition #243 includes music from Ben Castle ft Matt Berry, The Lovely Eggs, David Westlake, Senser, Fosca, Would-Be-Goods, Mason Wheatley, Host Family, Gabrielles Wish, Four Tet, White Town, Gruff Rhys, Adventures In Stereo and more.
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Jeremy Grayson. Son of immigrant. Adoptive father of two. Metadata librarian. Freelance point-to-point / horse racing writer, analyst and commentator wonk. Loves music, buses, cats, the BBC Micro, ale. Advocate of CBT, PACE and therapeutic parenting. Aspergers.
